1. My Little Pony Board Game
2. Game My Little Pony Free

.External linksMy Little Pony: Friendship Is Magic is a created by for. The series is based on 's line of toys and animated works and is often referred to by collectors as the fourth generation ('G4') of the franchise. The series premiered on October 10, 2010, on The Hub (which was renamed as in late 2014), and ended on October 12, 2019. Hasbro selected animator Lauren Faust as the creative director and executive producer for the show. Faust sought to challenge the established nature of the existing My Little Pony line, creating more in-depth characters and adventurous settings; she left the series during season 2, to be replaced by as showrunner for the remainder of the series.The show follows a studious unicorn pony named Twilight Sparkle as her mentor Princess Celestia guides her to learn about friendship in the town of Ponyville. Twilight and her dragon assistant Spike become close friends with five other ponies: Applejack, Rarity, Fluttershy, Rainbow Dash, and Pinkie Pie. Each of the ponies represent a different facet of friendship, and Twilight discovers herself to be a key part of the magical artifacts known as the 'Elements of Harmony'.

The ponies travel on adventures and help others around while working out problems that arise in their own friendships.The series has become a major commercial success, becoming the most highly rated original production in the Hub Network's broadcast history and leading to new merchandising opportunities for Hasbro, including books, clothing, collectible trading cards, and comics. Despite the target demographic of young girls, Friendship Is Magic has also gained a large following of older viewers, mainly young and middle-aged men, who call themselves '. Portions of the show have become part of the, and have formed the basis for a variety of.A feature-length film adaptation directly based on the TV series, titled, was theatrically released on October 6, 2017, in the United States. A spin-off franchise, was launched in 2013.

The first two films, and, were shown in limited theatrical screenings prior to television broadcast and home media release. Contents.OriginHasbro, Inc. Has produced several incarnations and lines of toys and entertainment related to the My Little Pony franchise, often labeled by collectors as 'generations'. The animated series which premiered in 1992 was the toy line's most recent television series before Friendship Is Magic, featuring the pony designs of the first toy line. It was followed by various releases, which featured later designs up to the third incarnation of the franchise. Just as 's had helped to boost the new toy line, Hasbro wanted to retool the My Little Pony franchise and update it to better suit the current demographic and taste of young girls. According to, CEO of Hub Network, revisiting properties that had worked in the past was an important programming decision, influenced to an extent by the opinions of the network's programming executives, a number of whom were once fans of such shows.

Senior Vice President Linda Steiner also stated that they 'intended to have the show appeal to a larger ', with the concept of 'co-viewing' of parents with their children being a central theme of the Hub Network's programming. Central themes that Hasbro sought for the show included friendships and working together, factors they determined from market research in how girls played with their toys. Lauren Faust, developer and initial showrunner of My Little Pony: Friendship Is Magic.Animator and writer Lauren Faust approached Hasbro, seeking to develop her girls' toys property 'Galaxy Girls' into an animated series. Faust, who had previously worked on and, had been pitching original animation aimed at girls for years, but had always been rejected by studios and networks because cartoons for girls were considered unsuccessful. When she pitched to Lisa Licht of Hasbro Studios, Licht showed Faust one of their recent My Little Pony animated works, 'completely on the fly'. Licht considered that Faust's style was well suited to that line, and asked her to consider 'some ideas where to take a new version of the franchise'.Faust was initially hired by Hasbro to create a for the show, allowing her to get additional help with conceptualization.

Faust said she was 'extremely skeptical' about taking the job at first because she had always found shows based on girls' toys to be boring and unrelatable. My Little Pony was one of her favorite childhood toys, but she was disappointed that her imagination at the time was nothing like the animated shows, in which the characters, according to Faust, 'just had endless tea parties, giggled over nothing and defeated villains by either sharing with them or crying'. With the chance to work on My Little Pony, she hoped to prove that 'cartoons for girls don't have to be a puddle of smooshy, cutesy-wootsy, goody-two-shoeness'. To do this, she incorporated into the design of the characters and the show many elements that contradicted idealized stereotypes of girls, such as diverse personalities, the message that friends can be different and can get into arguments but still be friends, and the idea that girls should not be limited by what others say they can or cannot do. Elements of the characters' personalities and the show's settings were based on her own childhood imagination of the ponies' adventures, in part inspired by the animated shows that her brothers would watch while growing up, such as and; she considered that she was making Friendship Is Magic 'for me as an eight-year-old'. Faust still aimed for the characters to be 'relatable' characters, using stereotypical 'icons of girliness' (such as the waif or the bookworm) in order to broaden the appeal of the characters for the young female audience.Faust stated that as she provided Hasbro with more of her ideas for the show, she was inspired by their positive response to the non-traditional elements. Faust had initially pitched the show to include 'adventure stories' in a similar proportion to 'relationship stories', but recognizing the younger target audience, as well as the difficulty of basing complex plots on the adventure elements, she trimmed back this content, focusing more on exchanges between the characters.

The show still incorporates episodic creatures intended to be frightening to children, such as and, but it places more emphasis on the friendships among the characters, displayed with a comedic tone. By the time the show was approved, Faust had developed three full scripts for the series.Faust began to work out concept sketches, several of which appeared on her page, including ponies from the original series (Twilight, Applejack, Firefly, Surprise, Posey and Sparkler), which later provided the core for the main cast of the show. Hasbro approved the show with Faust as Executive Producer and asked her to complete the pitch bible. In order to do so, Faust brought in Martin Ansolabehere and, who had worked on other animated shows with her. Faust credits Rudish for the inspiration of the pegasus ponies controlling the weather in Equestria, as well as the character of Nightmare Moon during this period. Faust also consulted Craig McCracken, her husband and also an animator and creator of The Powerpuff Girls and Foster's Home for Imaginary Friends.

After seeing the initial version of the pitch bible, Hasbro requested more character designs from Faust's team; subsequently, Faust brought aboard Dave Dunnet and Lynne Naylor to further refine the background and character styles.On completion of the pitch bible, Hasbro and Faust began looking at studios for the animation. Studio B Productions (renamed to DHX Media on September 8, 2010, after its parent company, along with DHX's other subsidiaries had previously worked on -based animations and on shows that featured a large number of animals, and Faust felt they would be a good selection. Studio B requested that Jayson Thiessen be the director, a choice Faust agreed with.

She, Thiessen, and James Wootton led the completion of a two-minute short to pitch the final product to Hasbro, resulting in the company's sanctioning the full production. Faust estimates that from being initially asked to develop the show until this point took roughly one year.

ProductionThe show is developed at Hasbro Studios in Los Angeles, where most of the writing staff is located, and at Vancouver in Vancouver, British Columbia, for the animation work and most of the voice acting. A sample from the episode 'Call of the Cutie' boarded by Sabrina Alberghetti, containing rough sketches of the main characters, rendered backgrounds to establish settings, and instructions for the Flash animators, such as the shot shown in the second panelFaust's initial writing staff at Hasbro Studios included several writers who had worked with her on her previous shows and were approved by Hasbro.

These included, Cindy Morrow,. The writing process began with Faust and Renzetti coming up with broad plots for each show. The two then held a brainstorming session with each episode's writer, allowing the writer to script out scenes and dialogue. Faust and Renzetti then worked with the writer to finalize the scripts and assign some basic storyboard instructions. Hasbro was involved throughout this process and laid down some of the concepts to be incorporated into the show.

Examples of Hasbro's influence include having Celestia be a princess rather than a queen, making one of the ponies focused on fashion, and portraying toy sets in relevant places within the story, such as Rarity's boutique. In some cases, Hasbro requested that the show include a setting, but allowed Faust and her team to create its visual style, and Hasbro then based the toy set on it; an example is the Ponyville schoolhouse. Faust also had to write to the standards that Hasbro required of the show, making the crafting of some of the situations she would have normally done on other animated shows more difficult; for example, Faust cited having one character call another an 'egghead' as 'treading a very delicate line', and having one character cheat in a competition as 'worrisome to some'.

Each episode also generally includes a moral or life lesson, but these were chosen to 'cross a broad spectrum of personal experiences', and not just to suit children. Because intellectual property issues had caused Hasbro to lose some of the rights on the original pony names, the show includes a mix of original characters from the toy line and new characters developed for the show. Jayson Thiessen, supervising director (left), and Shaun Scotellaro ('Sethisto'), the founder of the fansite, at 2011Completed scripts were sent to Studio B for pre-production and animation using. Thiessen's production team was also allowed to select key personnel subject to Hasbro's approval; one of those selected was art director Ridd Sorensen. The Studio B team storyboarded the provided scripts, incorporating any direction and sometimes managing to create scenes that the writers had believed impossible to show in animation. The animators then prepared the key character poses, layout, background art, and other main elements, and send these versions back to the production team in Los Angeles for review by Hasbro and suggestions from the writers.

Thiessen credited much of the technical expertise in the show to Wooton, who created Flash programs to optimize the placement and posing of the pony characters and other elements, simplifying and economizing on the amount of work needed from the other animators. For example, the ponies' and tails are generally fixed shapes, animated by bending and stretching them in curves in three dimensions and giving them a sense of movement without the high cost of individual animated hairs. The storyboard artists and animators also need to fill in background characters for otherwise scripted scenes as to populate the world. According to writer Meghan McCarthy, many of the small nods to the fandom, pop culture references, or other were added at this point by the studio.

Once the pre-production work was approved and completed, the episode was then animated. Though Studio B performed the initial animation work, the final steps were passed to Top Draw Animation in the, an animation studio that Studio B had worked with in the later part of season one and beyond.The voice casting and production is handled by, with as the series' voice director. Faust, Thiessen, and others participated in selecting voice actors, and Hasbro gave final approval. The voice work is performed prior to the animation, with the animators in the room to help provide direction; according to Libman, this allows herself and the other actors to play the character without certain limitations. Libman noted that for recording her lines as the hyperactive Pinkie Pie, 'I learned that I can go as over the top as I want and they the animators rarely pull me back.' Daniel Ingram at Everfree Northwest 2012The series' background music is composed by William Kevin Anderson, and composes the songs, which are only included if they make sense in the episode's script. The production team identifies specific parts of the episode where they want music cues, allowing Anderson to create appropriate music for each.

Ingram works alongside Anderson's compositions to create vocal songs that mesh with the background music while filling out the show's fantasy setting. The composition of the music and songs far precedes the broadcast of the episode; for example, songs for the show's third season that began airing in November 2012 were composed in 2011. Ingram considered that songs from previous shows of My Little Pony were 'a little bit dated' and decided to bring more interesting work to the Friendship Is Magic series. Such changes include making songs with more emotional depth than typical for children's animation, and tending to write songs that can be enjoyed musically outside of the context of the episode. Ingram's songs have 'became bigger and more epic, more Broadway and more cinematic over time' with Hasbro blessing the effort to try 'something groundbreaking for daytime television', according to Ingram. Lyrics and overall musical themes may be suggested by the writers; two examples include songs written by Amy Keating Rogers, who is a self-professed fan.

The song 'The Art of the Dress' in the first-season episode 'Suited for Success' is inspired by 'Putting it Together' from the musical, while the season one finale's song, 'At The Gala', is based on Sondheim's. A large musical number in the episode 'The Super Speedy Cider Squeezy 6000' paid homage to the song ' from Meredith Willson's musical,.Before the show was approved, Hasbro and Faust had planned for episodes to be 11 minutes long, to which Faust conformed in her first full-length script, 'The Ticket Master', which was part of the pitch bible. However, Faust preferred more traditional 22-minute episodes, and Hasbro eventually agreed to this. The initial production stages were very tight, requiring a schedule twice as fast as Faust had previously experienced, and frequent remote communication between the Los Angeles writing offices and the animation studio in Vancouver. At times, the two teams held 'writer's summits' to propose new ideas for characters and situations, at which the animation team provided suggestions on visuals, body language, and characterization.

Faust estimates that the time to complete one episode was one year; at one point, the team was simultaneously working on various stages of all 26 episodes of the first season, and when the second season was approved, that number rose temporarily to 32. Episodes then aired about a month after completion. Thiessen explained that they had pushed to start work on the second season as soon as the first was completed, to prevent staff turnover.After the airing of the first season's finale, Faust announced that she had left the show, and would be credited in the future as Consulting Producer. Her involvement in the second season consists mainly of story conception and scripts, and the involvement ceased after the second season. Despite leaving, she still has high hopes for the staff members, stating that 'the gaps I have left are being filled by the same amazing artists, writers, and directors who brought you Season 1. I'm certain the show will be as entertaining as ever'. In an interview with, Faust stated her reasons for leaving were a combination of a hectic production schedules and a lack of creative control she had with the series.

According to her husband McCracken, Faust's departure was due to the fact that as a toy company-driven show, 'there were things she wanted to do with that series that she just wasn't able to do', and that there is 'still some frustration with' not being able to bring some of her ideas to screen. Main article: PremiseFriendship Is Magic takes place in the land of, populated by varieties of ponies including variants of and, along with other sentient and non-sentient creatures. The central character is Twilight Sparkle, a unicorn mare sent by her mentor Princess Celestia, ruler of Equestria, to the town of Ponyville to study the magic of friendship. In the show's opening episode 'Friendship Is Magic', Twilight resents this assignment, as she is more concerned about the foretold appearance of Nightmare Moon, the evil sister of Celestia. When Nightmare Moon does appear, vowing everlasting night and causing Celestia to disappear, Twilight sets off with five other ponies – Applejack, Fluttershy, Pinkie Pie, Rainbow Dash, and Rarity – to obtain the Elements of Harmony and defeat Nightmare Moon.

Before Twilight can activate the Elements, Nightmare Moon appears and shatters them. In a flash of inspiration, Twilight realizes that each of her new friends represents one of the Elements of Harmony (Honesty, Loyalty, Laughter, Generosity, and Kindness), and that she herself is the final piece, Magic.

The magical power of the ponies' friendship reverts Nightmare Moon to a repentant Princess Luna. Celestia reappears, reunites with her sister Princess Luna, and decrees that Twilight shall stay in Ponyville to continue studying the magic of friendship, much to the happiness of Twilight and her new friends.Later episodes follow Twilight and her friends dealing with various problems around Ponyville, such as interpersonal problems between friends and family, as well as more adventurous stories involving creatures like dragons and griffons, and having to save Equestria from evil villains. At the end of each episode, Twilight sends a report back to Celestia explaining what she learned about friendship from these adventures. This part of the formula is abandoned in 'Lesson Zero', the second-season episode in which Twilight is convinced to be less rigid in her perceived duties; after this, all the main characters contribute reports, although the formality is disregarded when appropriate. In the fourth season, with the request for reports no longer applicable, the six resolve to keep a collective personal journal in which they record their thoughts about life for posterity.Another focus of the show is the Cutie Mark Crusaders, a trio of much younger mares consisting of Apple Bloom, Sweetie Belle, and Scootaloo, who are obsessed with finding their 'cutie marks', an iconic symbol that magically appear on a pony's flank once they have discovered their special talent in life.

The show regularly features episodes centered on the Crusaders, who have yet to receive their cutie marks and are teased by other young ponies as 'blank flanks'. In response, they desperately hurry to try to discover their talents and receive their own cutie marks, often doing so in comical fashions.Although the episodes are designed to stand alone, the series features continuity and overall, with several key elements of the series changing; one such change is the evolution of Twilight herself, who spends the first three seasons learning about friendship and is subsequently granted wings by Celestia to become an and a princess in the finale '. In the finale ', she discovers that she is the Princess of Friendship and starts living in a magic castle after the destruction of her library home by the villain Lord Tirek.

The cast of Friendship Is Magic, presented as a poster at the 2011. Major characters include (mid-front row, starting sixth from left) Rainbow Dash, Pinkie Pie, Applejack, Twilight Sparkle, Fluttershy, Spike and Rarity. See also: andFriendship Is Magic is associated with the of My Little Pony toy line, having figurines and playsets based on it. A section of the Hasbro website gives information about Friendship Is Magic for children and their parents, including character backgrounds, videos, and interactive games and media. Due in part to the older fans, Hasbro has come to see My Little Pony as a 'lifestyle' brand, with over 200 licenses in 15 categories of products, including clothing, houseware, and digital media. The brand grossed over US$650 million in retail sales in 2013, and one billion USD annually in retail sales in 2014 and 2015.Hasbro had seen from the brony fandom for the show that some of the art the fans had produced were humanized versions of the show's characters.

They took inspiration from that to develop the spin-off series of movies and shorts that ran alongside the Friendship Is Magic show for several years.In early 2019, released five tie-in animated shorts on their YouTube channel. In June 2019, it was announced that a musical adaptation was in the works. A collaboration between Hasbro and Mills Entertainment, it will feature an original story while retaining the core aspects of friendship.

It is slated for a March 2020 launch in North America., a theatrical animated of the television series, was released on October 6, 2017 in the United States, distributed. The film is directed by series supervising director and written by showrunner, and is financed by ' film subdivision, Allspark Pictures.Hasbro and Discovery Family announced a subsequent animated series, My Little Pony: Pony Life to first premiere in 2020.

The new series is based on the same characters, with the same voice actors returning, but feature a new animation style and focus on more slice of life stories. Reception Critical receptionThe series has received positive reviews from critics. Emily VanDerWerff of favorably noted its 'sheer and utter joyfulness' and lack of, unlike many other shows that garnered a cult following of parents and adults. She complimented the characters' stylized appearance, the stories' relative complexity for children's television, and the solid jokes which make the show enjoyable for parents as well as children.

She gave the series a B+. The show has been critically praised for its humor and moral outlook by Brian Truitt of USA Today. Genevieve Koski of The A.V. Club later commented that Friendship Is Magic is an example of a show that, while considered 'girly', has been able to tap into the nerd culture to allow it to gain wider acceptance than other comparable forms.

Emily Ashby of, an organization focusing on the parenting aspect of children's media, gave the show a rating of four out of five stars, emphasizing its messages of friendship, tolerance and respect, but advised parents to be wary of the 'influence the characters might have on their kids' desires, since it's rooted in a well-known product line of books, toys, and just about everything in between.' Liz Ohanesian, for, said that the show is 'absolutely genuine in its messages about friendship but never takes itself too seriously'.

Matt Morgan, writing for 's ' column, praised the show for having 'rebooted the long-time Hasbro property while managing to lace it with geeky undertones' and being one of the few 'girl-focused shows that a geeky dad can appreciate with his daughter'. Critic Robert Lloyd called the show 'smarter and sassier and more aesthetically sophisticated' than any of the previous My Little Pony cartoons, and praised its ability to appeal to both children and their parents, in that it is 'smart and sprightly and well-staged, and never horribly cute'.

Listed Friendship Is Magic as one of the top sixty animated shows of all time in a September 2013 list. Other praise for the show included its style, stories, characterisation and discussion of feminism.Kathleen Richter of believed that Friendship Is Magic did little to change the nature of older animations for girls, which she considered 'so sexist and racist and.' For example, she suggested that, through the character of Rainbow Dash, the show was promoting the stereotype that 'all feminists are angry, tomboyish lesbians.' She also considered that the only darker-colored ponies shown to date were in positions of servitude towards the 'white pony overlord.' Lauren Faust responded to these claims by stating that while Rainbow Dash was a tomboy, 'nowhere in the show is her sexual orientation ever referenced' and 'assuming tomboys are lesbians is extremely unfair to both straight and lesbian tomboys', and further stating that 'Color has never, ever been depicted as a race indicator for the ponies.' Amid Amidi, writing for the animation website, was more critical of the concept of the show, calling it a sign of 'the end of the creator-driven era in TV animation'. Amidi's essay expressed concern that assigning a talent like Faust to a toy-centric show was part of a trend towards a focus on profitable genres of animation, such as toy tie-ins, to deal with a fragmented viewing audience, and overall 'an admission of defeat for the entire movement, a -waving moment for the TV animation industry.'

RatingsFriendship Is Magic originally premiered with an average viewership of 1.4 million per month, but expanded to 4 million per month by the end of the first season, making it the highest-rated of any Hasbro offering at the time. Reports that the viewership doubled between the first and the second season.

The Hub Network reported that ', an episode on the theme of Valentine's Day, which aired on February 11, 2012, in the middle of the second season, was the show's most-viewed episode ever, and the second highest of any program of the Hub network; its viewership exceeded 150% of that of the previous year. This was surpassed by the two-part season two finale, 'A Canterlot Wedding', airing in April 2012, marking the broadcast as the highest viewership for the Hub Network to that date. Awards and nominationsFriendship Is Magic was nominated for three British Columbia for Animation, 'Best Program', 'Best Direction', and 'Best Overall Sound'. Additionally, the songs 'Becoming Popular (The Pony Everypony Should Know)' (from season 2 episode 9, 'Sweet and Elite') and 'Find A Pet Song' (from season 2 episode 7, 'May the Best Pet Win!' ), both written by Daniel Ingram, were nominated, but did not win, for 'Outstanding Original Song—Children's and Animation' at the.

Marcel Duperreault, Todd Araki, Jason Fredrickson, and Adam McGhie received a 2014 Leo Award for their work on 'Power Ponies' for 'Best Overall Sound in an Animation Program or Series' on June 1, 2014. Main article:Despite Hasbro's target demographic of young girls and their parents, My Little Pony: Friendship Is Magic has become a cultural and Internet phenomenon, with many male fans between 13 and 35.

The response from the Internet has been traced to cartoon and animation fans on the Internet board, responding to Amidi's negative essay regarding the show and current trends in animation. As a result of the discussion on 4chan, interest in the show spread throughout other parts of the Internet, creating a large fanbase and a multitude of creative works, fan sites, and conventions.

The fanbase has adopted the name 'brony' (a of 'bro' and 'pony') to describe themselves. The older fanbase had come as a surprise to Hasbro and staff members involved with the show. They have appreciated and embraced the fandom, adding nods to the fans within the show and the toys, while, early on, allowing the creative elements of the fandom to flourish without legal interference.The fandom was a meme upon the show's release, but its popularity across the internet gradually faded, despite the show's continuation. OtherDirector was inspired by the visuals of Friendship Is Magic, which his daughters had watched frequently, in creating a short for 's 2014 educational/documentary web series, 'We the Economy', using cartoon in the same style as the show to explain about.In early 2016, Hasbro was sued by Font Brothers over Hasbro's use of the font 'Generation B' for much of its product packaging and marketing with the Friendship Is Magic show and toyline, including the 'Friendship Is Magic' text in the show's logo.

Font Brothers claim that Hasbro has been using this font in an unlicensed manner and is seeking up to $150,000 for each violation of its use.Dialogue from a My Little Pony: Friendship Is Magic episode was brought up during the by then-RNC chief strategist (and future ) to defend against accusations of plagiarism. Spin-offA series titled My Little Pony: Pony Life which will be more “slice of life”-oriented than the adventure-driven Friendship Is Magic it will air on Discovery Family in 2020 with new toys to go along with the show, the first of which will arrive in time for the holidays. Ashby, Emily. Retrieved August 13, 2019.

Crouse, Megan (October 20, 2014). Retrieved August 13, 2019.

Stone, Sam (August 2, 2019). Retrieved August 13, 2019.

Also known as from season 1 through the first three quarters of season 8. Also known as in season 1 and season 2's '. Known as The Hub for the first 3 Seasons and Hub Network for Season 4. Retrieved October 3, 2017. Tyrrel, Rebecca (December 24, 2004). Retrieved November 4, 2011.

Hix, Lisa (June 28, 2012). Retrieved June 28, 2012.

Hayes, Summer (May 1, 2008). Priced Nostalgia Press. Erickson, Hal (June 30, 2005). Television Cartoon Shows: An Illustrated Encyclopedia, 1949–2003, The Shows M-Z. McFarland & Company. Pp. 575–576.

Hayes, Summer (June 15, 2007). Priced Nostalgia Press. ^ 'Tekaramity' (September 15, 2011). Retrieved September 16, 2011. Anderson, Monika (August 12, 2011). Retrieved August 12, 2011. ^ Griffiths, Daniel Nye (September 27, 2011).

Daniel Nye Griffiths. Retrieved January 19, 2012. Townshend, Matt (February 27, 2014). Retrieved March 25, 2014. ^ Strike, Joe (July 5, 2011). Retrieved July 6, 2011. ^ (December 24, 2010).

Retrieved July 6, 2011. Ohanesian, Liz (May 21, 2012). Retrieved May 21, 2012. Lauren Faust (September 10, 2014).

7:25 minutes in. Retrieved September 10, 2014. Wilson, Melody (July 3, 2012). Retrieved July 3, 2012.

Cite journal requires journal=. Faust, Lauren (December 5, 2010). Retrieved October 7, 2011.

Davis, Lauren (December 2, 2013). Retrieved December 2, 2013. Plank, Willa; Pereira, Joseph (December 22, 2009). Retrieved October 7, 2011.

(Press release). September 8, 2010.

Retrieved November 16, 2019. ^ 'Tekaramity' (September 13, 2011). Equestria Daily. Retrieved September 16, 2011. Sims, Chris (July 15, 2012). Retrieved July 18, 2012. Top Draw Animation.

Archived from on October 31, 2014. Retrieved February 9, 2012. Top Draw Animation.

Archived from on October 31, 2014. Retrieved February 9, 2012. Voicebox Productions. Retrieved November 16, 2019.

Keeble, Ellen (May 21, 2012). Archived from on October 21, 2012. Retrieved May 21, 2012. 'Tekaramity' (June 29, 2011). Equestria Daily.

Retrieved August 2, 2011. ^ Rutherford, Kevin (April 20, 2012). Retrieved April 20, 2012. ^ Connelly, Sherilyn (November 9, 2012). Retrieved November 9, 2012. ^ Burlingame, Russ (March 1, 2013).

Retrieved March 1, 2013. Barnett, Annie (July 14, 2012). Retrieved July 16, 2012. Griffiths, Daniel Nye (August 15, 2011). Retrieved October 10, 2011. Weinman, Jaime (September 7, 2011). Retrieved September 8, 2011.

Schenkel, Katie (January 28, 2012). Retrieved January 31, 2012. Faust, Lauren (May 8, 2011). Retrieved August 2, 2011. Miller, Lisa (November 6, 2014).

Retrieved November 6, 2014. Ostroff, Joshua (October 22, 2013). Archived from on September 25, 2014. Retrieved October 24, 2013.

Retrieved March 18, 2011. ^ VanDerWerff, Emily (April 29, 2011).

Retrieved July 27, 2019. Busis, Hiliary (January 29, 2013).

Retrieved January 29, 2013. Crouse, Megan (September 16, 2014). Retrieved September 16, 2014., p. 47. Libman, Andrea @AndreaLibman (November 22, 2011). Retrieved November 26, 2011 – via. Anders, Charlie Jane (September 12, 2011).

Retrieved September 27, 2011. 'Cereal Velocity' (September 25, 2011). Equestria Daily.

Retrieved September 27, 2011., p. 75. The Ultimate Guide: All the Fun, Facts and Magic of My Little Pony. Hachette Children's Group. September 21, 2017.

^ Stelter, Brian (October 10, 2010). Retrieved October 10, 2010. Andreeva, Nellie (March 24, 2011). Retrieved July 18, 2011. (Press release). New York, NY: March 24, 2011.

Retrieved August 22, 2011. Watercutter, Angela (September 12, 2011).

Retrieved September 12, 2011. The Voice of TV. September 21, 2011.

Archived from on September 30, 2011. Kern, Mark J. (Press release). Archived from on April 28, 2012. Retrieved April 25, 2012. Archived from on February 14, 2015. Retrieved February 19, 2015.

Sony Pictures Television. Retrieved October 18, 2019.

My Little Pony Board Game

Getzler, Wendy Goldman (September 7, 2011). Retrieved September 21, 2011. Television New Zealand.

Retrieved October 18, 2019. Retrieved August 4, 2014. (Press release). Los Angeles, CA: Hasbro. December 13, 2010.

Retrieved July 9, 2011. McDonald, Andrew. Retrieved July 9, 2014. Retrieved October 18, 2019. (Press release). Los Angeles, CA:. April 5, 2012.

Retrieved April 5, 2012 – via Business Wire. ^ Z (February 9, 2012). Retrieved February 9, 2012. ^ Lambert, David (September 7, 2012). Archived from on September 9, 2012.

Retrieved September 7, 2012. ^ Lambert, David (March 27, 2013). Archived from on March 30, 2013. Retrieved March 27, 2013. ^. August 2, 2017.

Retrieved August 2, 2017. Sacco, Dominic (April 18, 2013). Archived from on May 4, 2013. Retrieved April 18, 2013. Tilton, Robert (March 19, 2014).

(Press release). Wrestling Inc.

Retrieved April 25, 2014. (Press release). Melbourne VIC:. April 2, 2012.

Retrieved February 14, 2013. Lambert, David (November 7, 2011). Archived from on November 10, 2011. Retrieved November 7, 2011.

(Press release). Retrieved May 7, 2012. Retrieved October 6, 2014. Lambert, David (September 7, 2012). Archived from on February 23, 2013.

Retrieved February 15, 2013. Liu, Ed (January 28, 2013). Retrieved February 15, 2013.

(Press release). March 8, 2013. Archived from on March 17, 2013.

Retrieved March 8, 2013. June 2, 2014. Retrieved July 19, 2014. November 8, 2014. Retrieved July 19, 2014. December 5, 2013.

Retrieved July 19, 2014. April 17, 2014. Archived from on April 19, 2014. Retrieved April 17, 2014. June 2, 2014. Retrieved July 19, 2014. September 4, 2014.

Retrieved September 4, 2014. November 5, 2014.

Retrieved November 5, 2014. March 2, 2015. Retrieved March 2, 2015. June 9, 2015.

Retrieved June 9, 2015. March 1, 2016.

Retrieved March 1, 2016. March 11, 2016. Retrieved April 26, 2016. April 6, 2016. Retrieved April 6, 2016. Retrieved May 4, 2016.

May 10, 2016. Retrieved May 10, 2016. November 4, 2016. Retrieved November 4, 2016. February 16, 2017.

Retrieved February 16, 2017. June 7, 2017. Retrieved June 7, 2017. July 15, 2017. Retrieved July 15, 2017.

February 12, 2018. Retrieved February 12, 2018. April 6, 2018. Retrieved April 6, 2018. June 22, 2018. Retrieved June 22, 2018.

July 7, 2018. Retrieved July 7, 2018. October 13, 2018.

Retrieved October 13, 2018. ^ Vara, Vauhini; Zimmerman, Ann (November 4, 2011). Archived from on December 1, 2011. Retrieved November 4, 2011. Lisanti, Tony (May 1, 2014).

Global License!. Retrieved May 19, 2015. February 13, 2015. Archived from on May 23, 2015. Retrieved May 19, 2015. (PDF). February 26, 2015.

Archived from (PDF) on July 7, 2017. Retrieved May 20, 2015. Lisanti, Tony (May 2016), 'Top 150 Global Licensors', Global License!, p. T9, The My Little Pony brand drives over $1.2 billion in retail sales.

'My Little Pony'. November 15, 2019. Event occurs at 39:00. Fernando, Madeleine. Retrieved June 3, 2019. Aquilina, Tyler (November 13, 2019). Retrieved November 13, 2019.

Truitt, Brian (November 26, 2012). Retrieved June 29, 2014. Koski, Genevieve (July 5, 2011).

Retrieved July 5, 2011. Ashby, Emily (January 30, 2011). Retrieved May 9, 2011. Ohanesian, Liz (May 7, 2012).

Archived from on May 10, 2012. Retrieved May 7, 2012. ^ Morgan, Matt (September 17, 2011). Retrieved September 17, 2011. Lloyd, Robert (December 5, 2013). Retrieved December 6, 2013.

Sands, Rich (September 24, 2013). Retrieved September 24, 2013.

University of Brighton College of Arts and Humanities. Retrieved February 19, 2019. Richter, Kathleen (December 9, 2010). Retrieved July 7, 2011. ^ Amidi, Amid (October 19, 2010). Retrieved June 9, 2011.

House, Kelly (September 17, 2011). Retrieved September 17, 2011. Pollack, Judann (November 28, 2011). Retrieved November 28, 2011. Cite journal requires journal=. (Press release).

February 14, 2012. Archived from on April 21, 2012. Retrieved February 16, 2012. (Press release). April 24, 2012.

Archived from on April 28, 2012. Retrieved April 24, 2012. Motion Picture Arts and Sciences Foundation of British Columbia. Retrieved May 2, 2012.

Archived from on June 28, 2013. Retrieved May 9, 2012. Motion Picture Arts and Sciences Foundation of British Columbia. Retrieved June 1, 2014. ^. Retrieved October 29, 2015. The Joey Awards.

Archived from on November 19, 2015. Retrieved November 16, 2015. (PDF) (Press release). Los Angeles, CA:. Retrieved May 1, 2016. Retrieved April 26, 2016.

(PDF). Retrieved June 5, 2016.

(PDF). Retrieved May 30, 2016. Retrieved July 26, 2016. June 3, 2017.

Retrieved June 3, 2017. May 27, 2017. Retrieved May 27, 2017. Behind the Voice Actors.

July 24, 2017. Retrieved July 25, 2017. Behind the Voice Actors. July 24, 2017. Retrieved July 25, 2017. ^. September 18, 2017.

Retrieved September 18, 2017. (PDF). May 26, 2018. Retrieved May 26, 2018.

(PDF). June 2, 2018. Retrieved June 2, 2018. May 31, 2019.

Retrieved May 31, 2019. October 3, 2019. Retrieved October 3, 2019. Gennis, Sadie (August 1, 2013). Retrieved August 1, 2013.

^ Watercutter, Angela (June 9, 2011). Retrieved June 9, 2011. Beck, Jerry (September 24, 2011). Retrieved September 25, 2011. von Hoffman, Constantine (May 31, 2011). CBS MoneyWatch. Retrieved May 31, 2011.

Game My Little Pony Free

McKean, Erin (December 2, 2011). Retrieved December 2, 2011.

Ostroff, Joshua (August 3, 2011). Archived from on August 4, 2011. Retrieved August 3, 2011. Turner, James (March 20, 2012). Retrieved March 20, 2012. Griffiths, Daniel Nye (January 19, 2012).

Retrieved January 19, 2012. Antonelli, William (August 28, 2018). Retrieved April 19, 2019. Chai, Barbara (October 20, 2014).

Retrieved October 31, 2014. January 26, 2016. Retrieved February 4, 2016. Tatum, Sophie (July 19, 2016). Retrieved July 19, 2016. Retrieved November 14, 2019.Bibliography.

More details on what is eligible with ShippingPass: Shipping SpeedItems & AddressesFREE 2-day shipping. Items sold by Walmart.com that are marked eligible on the product and checkout page with the logo. Nearly all addresses in the continental U.S., except those marked as ineligible below.FREE value shipping. Select items that are not included in ShippingPass will ship for free but with value shipping. Look for items sold by Walmart.com and marked with FREE shipping. You will also see this noted in checkout. Addresses in the following State Codes AK, HI, AE, AP, AA, PR, GU, MP, PW, AS, VI, FM and APO/FPO addresses with U.S.

ZIP Codes will ship for free with value shipping. You will see this noted in checkout.Ineligible items & addresses. Items with freight charges. Items fulfilled by Walmart.com Marketplace sellers. Personalized items.

eGift Cards. Any item that is not marked eligible on the product page or in checkout. International destinationsSHIPPING & RETURNS.

What does 2-day shipping really mean?. Your product will be shipped to its final destination to arrive in 2 business days or faster. If your order is placed before the 11 a.m. PST cutoff time, then it will ship that day and arrive 2 business days later. If your order is placed after the 11 a.m. PST cutoff time, we will do our best to process it the same day but may need an extra day.Place your order BEFORE 11 a.m.

PST cutoff: MondayTuesdayWednesdayOrder before 11 a.m. PST, and your order is picked, packed and sent outYour order is on its way to youYour order is deliveredPlace your order AFTER 11 a.m. PST Cutoff: MondayTuesdayWednesdayThursdayOrder placed after 11 a.m. PST is receivedYour order is picked, packed and sent outYour order is on its way to youYour order is delivered.

ShippingPassWant to get your items fast without the pricey shipping fees? With ShippingPass from Walmart, you can enjoy Every Day Low Prices with the convenience of fast, FREE shipping.Whether you need a gift in a pinch or you're simply running low on household essentials, a ShippingPass subscription gets you the things you need without hurting your pocket.When you purchase ShippingPass you don't have to worry about minimum order requirements or shipping distance. No matter how small the order or how far it needs to go, ShippingPass provides unlimited nationwide shipping.

If you need to return or exchange an item you can send it back at no cost or take it to your neighborhood store.To see if ShippingPass is right for you, try a 30-day free trial. Also, with ShippingPass, there is no need to worry about commitment. If you decide you want to discontinue the service, you can cancel your subscription at any time. No matter what your shipping needs, Walmart's got you covered. Sign up for ShippingPass so you can shop more, save money and live better.